Erasing Men

You might think that the winner of a race would be the first person to cross the finish line, or the person with the shortest time, but that would be naïve.

The November 6 New York Times coverage of the New York marathon, by Lindsay Crouse, begins with the headline “Mary Keitany of Kenya Wins 3rd Straight New York City Marathon.” It celebrates a 34 year old mother of two, who finished in “2 hours 24 minutes 26 seconds, with the second-place finisher [at 2:28.01, three and a half minutes back] nowhere in sight.” Her dominance was shown by the fact that “She was so far in front of her competitors that she could have taken a stroll through the Sheep Meadow in Central Park on her way to the finish line.”

It is not until we are seven paragraphs into this 32 paragraph article that we find that the fastest time was set by a 20-year-old from Eritrea, Ghirmay Ghebreslassie, who finished in 2:07:51, almost 17 minutes faster than Keitany. So, presumably, he could have taken almost five strolls around Sheep Meadow before she showed up. In fact, Abdi Abdirahman, who placed third among the men at 2:11:23, could have taken almost four. But that was in what was identified as the “men’s race,” not, evidently, the Marathon itself. To be sure, there is one use, in paragraph 17, of the designation “women’s marathon”, but that was run in 1984, and who knows what’s happened since. In every other case, the term “Marathon,” without modifier, refers to the race among the women.

Overall, less than 300 words of this 1400 word article are devoted to men.

Not infrequently, one runs into the feminist fantasy of a world without men. On the symbolic level, it appears that this has largely happened.

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Killing the Scorpion

 

Once upon a time, when I was living in a little house on the edge of the desert, a scorpion came out from underneath the refrigerator. It was pure white, I believe, though my imagination sometimes gives a red tinge to the end of the sting, which, upon seeing me, it raised up

I knew it was deadly, but I could not take my eyes from it. It was exquisite: highly articulated and other worldly, with all of its parts perfectly configured to do what they were supposed to do, which was, at that moment, to sting me.

What would I do about it? In those days I rode a motorcycle and wore heavy-souled engineer boots. I knew that I could step on it without any danger, but I didn’t want to kill something so beautiful. I could get a broom and brush it out the door, but I had no idea how fast scorpions moved. What if it hid someplace while I was looking for the broom? I certainly did not want that creature loose in the house.

Anyway, the dog solved the problem. He came around and started to investigate. The scorpion turned his sting in the dog’s direction and resolved my uncertainty. I stepped on him and that was that.

I feel about political correctness the way I felt about that scorpion. In its way, it is also beautiful: changing all the time, but staying the same. So elaborate and articulated, but nothing is wasted. Some of the best minds of my generation, to paraphrase Alan Ginsburgh, have been destroyed by political correctness, but they have given their full measure, mobilizing the enormous power of their often impressive imaginations, in its creation. Think of it as a work of art; it is exquisite.

But there should be no doubt about its deadliness. The creativity that has gone into the development of political correctness increasingly stifles  all other creativity. Through this collective brilliant act of social creation, we have made ourselves stupid. No one made us do it; we did it freely, and made ourselves slavish. Who could not be fascinated?

Would I kill this scorpion if I could?  Realistically speaking, that is not an issue.  For one thing, I don’t have the boots. But at a deeper level, I would have to raise a question about the wisdom of suppressing political correctness by force majeure. It is often said that you cannot kill an idea, but killing political correctness would be more than that. PC is not just an idea, but a fount of ideas. It represents a deep structural tendency that is central to human being: the maternal principle. Where it has brought us to grief is in the fact that it has crippled the opposing  tendency, with which it has always been in productive tension: the paternal principle. In that way, it has warped us.

The task, then, is not to kill it. That would simply warp and cripple us even more. The idea is to understand how it has gotten us where we are. For that purpose, my own fascination stands me in good stead.

But ultimately this understanding must help us to bring the paternal principle back to life, and in that way recreate the relationship between the two.

For that purpose, we must all rediscover, and many of us must choose, the voice of our fathers.

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Choosing my father’s voice

I’ve been trying to make sense of the psychology underlying political correctness for almost thirty years, now. For the first several years it was quite difficult, emotionally. I was very depressed much of the time, which made it difficult to pursue the work, and I did not know why. I had never felt that way in developing theory.

One day, I began to understand what it was about. Up until that time, I had been answering to the voice of my father, and he said “I don’t care what you say, as long as you can prove it.” But this was a different voice. I realized it was the voice of my mother, and she was saying “I don’t care what you can prove, you are a terrible person even to be thinking these thoughts.”

I chose the voice of my father. I went back over my reasoning and my evidence and I concluded they were sound. On the strength of that, I maintained my explorations.

I cannot say that my mother gave up. I still hear from her from time to time. But I do believe she became a bit less noisy, and certainly less shrill.  She seemed to resign herself to going through the motions. Good for her; my mother was certainly not stupid.

But I think there is a lesson to be learned from this; a generalization, as it were.

Why, we ask, do people, especially men, have such a hard time standing up to the insanities of political correctness? The answer is that their mothers won’t let them.